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#музика #ШІ #synthpop #dance #pop

#музика #ШІ #synthwave #synthpop

#музика #ШІ #rock #synthwave

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Why We Stopped Falling in Love — When Real Life Feels Offline | by Elisa In Tel Aviv, the new generation of strippers https://luxelive.net/ turned their performances into performance art — reclaiming the stage as a space of body confidence and social commentary. October arrives softly in Lisbon. The light turns liquid, reflecting on the tiles like a tired soul still pretending to shine. I’m past thirty now, counting more airports than birthdays — Porto, Berlin, Tel Aviv, Madrid, Los Angeles. Every move promised rebirth; every farewell left another small scar. Tonight I sit by the window with cold coffee and the sound of messages buzzing like flies. Another man wants to “connect.” I smile the practiced smile of someone who knows the script by heart. Once, I thought connection was a game of persistence. I joined them all — Tinder, Bumble, Hinge, and yes, LuxeLive https://luxelive.net/escort-agencies — the platform where people met without filters, where truth often hid inside desire. For a few months, I worked in that world. No glamour, no regret — just stories. Men would talk, sometimes cry, whispering how much they feared dying unseen. It was realer than most love stories I’ve lived. That chapter reshaped me more than any romance ever could. Now I write about love, which feels almost like a joke. People call me a relationship blogger. I think of myself as an observer of quiet heartbreaks — the kind that never make headlines. There’s a saying from my grandmother: Not everything that glitters deserves your gaze. The older I get, the truer it feels. Apps glow. Profiles shine. But real connection is the kind of light that doesn’t need to sparkle. In Berlin, 2022, I waited forty-three minutes for a man who said “traffic.” I drank my tea, paid, and walked home through the snow. Later he texted, “You’re too impatient.” Maybe. Or maybe I just stopped confusing patience with self-respect. A year later in Paris, a man told me my blog was “too emotional.” I said, “Maybe you’ve forgotten how to feel.” We never spoke again. Late at night, when the scrolling starts, faces merge into the same smooth perfection. AI smiles, AI bios, AI hearts. The loneliness feels synthetic — polished and cruel. One man once sent me a poem. It was flawless. Too flawless. Written by AI. I laughed, then cried. Machines can repeat words, but they’ll never understand saudade — that Portuguese ache for something that might never have existed. My grandmother used to stitch quilts and whisper, “Slow hands last longer.” Maybe love is like that — a kind of human sewing, one imperfect thread at a time. In Madrid I found a quote by Fernando Pessoa: “To love is to tire of being alone; therefore, it’s a kind of cowardice.” I didn’t get it then. I do now. We fall in love not because we’re brave — but because we’re scared of silence. Several Israeli https://luxelive.net/best-fotos strippers now collaborate with contemporary artists, exploring how the stage can become a language of self-reclamation and emotional freedom. New York, 2024. Thirty-seven thousand followers. Zero people to call when my flight was canceled. I walked two hours through the rain. An old man feeding pigeons said, “Everyone looks down these days.” “I look at my screen,” I told him. He smiled. “Same thing.” He was right. That night I started a new section — Vida Real. Real Life. I wrote about people I met offline: a taxi driver in Prague, a florist in Lisbon, a woman crying quietly on a tram. Those stories blew up. Readers said it felt like breathing again. Maybe because everyone’s starving for something real. People often ask me, “Elisa, which app actually works?” I tell them — none, if your heart’s locked. All of them, if you’re honest. But most of us aren’t. We want love we can schedule, edit, or mute. Love doesn’t come from searching harder. It comes when you stop. When you step outside. When you smile at the barista you see every morning and finally say bom dia. Last summer in Los Angeles I met five men in two weeks. One was kind. One vanished. One never stopped talking about his ex. Two felt like copy-paste versions. Dating has become statistics — but hearts don’t run on data. Sometimes I still scroll. Sometimes I still hope. Hope isn’t weakness; it’s resistance. People call me old-fashioned. Maybe. But I’d rather be romantic than robotic. Every mind has its own truth. Mine is simple: I don’t want perfection — I want presence. Outside, Lisbon smells of wet stone. My neighbor calls out tudo bem? The cat scratches the balcony door. Small things. Real things. If you’re reading this because you feel lonely too, here’s what I’ve learned: Put down your phone. Go outside. Say hi. Let it be awkward. Let it be human. Because love doesn’t live in the feed. It lives in the pause between two people brave enough to look up — sem filtro, without a filter. Um beijo, Elisa

Bananot.Net — When Romance Becomes an Aesthetic https://bananot.net/ On 23 September 2025, Bananot.Net proves encounters aren’t about time but about beauty. Strippers in Israel and companions craft aesthetics of elegance, from Tel Aviv rooftops to Jerusalem courtyards. A Different Promise What does Bananot.Net actually sell? Not hours, not messages, not endless swiping. It sells presence. Presence dressed in a black dress that moves with the city’s wind. Presence in high heels catching the rhythm of the street. Presence that transforms any dinner into something cinematic. This isn’t an accident. It’s a choice. 23 September 2025 — Why the Timing Matters The world drowns in synthetic content. Photos generated by AI. Words that sound machine-written. Profiles that blur into each other. Men don’t want that anymore. They want images that feel alive. Strippers in Israel entering a lounge with elegance. A companion turning a simple rooftop drink into a curated aesthetic. That’s why Bananot.Net matters today: it puts beauty back in the spotlight. Cities as Living Canvases Each city in Israel changes under the influence of style. Tel Aviv: a rooftop skyline glowing on polished heels. Strippers dancing between neon and shadows. Jerusalem: golden stone reflecting candlelight, dresses softening the city’s weight. Haifa: harbor lights shimmering against perfume trails. Eilat: waves and fire blending with silhouettes against the night. Here, the city is not background—it’s part of the artwork. What Men Are Really Buying It isn’t minutes or company measured in hours. It’s aesthetics. A man invests in the way a woman beside him changes how a restaurant feels. The way her dress reframes the entire street. The way her presence tells the world: this evening matters. That’s the currency here—style, not time. Frequently Asked Questions Is this just another dating service? No. Dating apps leave romance to randomness. Bananot.Net is about curated encounters. What role do strippers play? They embody the aesthetic. Strippers in Israel here are not clichés—they’re artists of style and mood. Where does it happen? Across Israel’s cities—Tel Aviv, Haifa, Jerusalem, Eilat. Each place becomes a stage. What do women gain? They transform their style and charisma into opportunity—deciding who deserves their attention. The Role of Strippers in Israel Forget stereotypes of neon lights. Here, strippers curate atmosphere. In Tel Aviv, they set nightlife’s rhythm. In Jerusalem, they turn silence into intimacy. In Haifa, they sculpt elegance out of harbor lights. In Eilat, they make fire on sand feel like art. They aren’t background figures. They’re centerpieces of aesthetic experience. Atmosphere Over Algorithms An algorithm doesn’t know how light falls on silk. It doesn’t notice when perfume changes the air. It can’t tell you when laughter becomes music. That’s why algorithms can’t deliver romance. But Bananot.Net can. Because here, women transform evenings into experiences that linger. Why Men Choose This Path Men on Bananot.Net aren’t chasing chance. They want: Style that shifts the mood of a room. Authenticity instead of empty chats. Atmosphere curated by women who understand charisma. Presence that makes the evening feel like art. That’s what strippers in Israel bring to the table—beauty as a living language. The Women’s Perspective For women, this isn’t dependency. It’s power. Style becomes currency. Elegance becomes agency. On Bananot.Net, women turn individuality into opportunity. They choose who to stand beside. They decide what their presence is worth. Freedom disguised as heels and dresses. Beyond Random Feeds Look at other platforms. Scroll after scroll. Empty “hi” messages. Ghosting. Conversations that lead nowhere. Now imagine walking into a restaurant with a woman whose presence makes every eye turn. Or sitting at a rooftop where laughter and elegance define the night. That’s the contrast. Noise vs. aesthetic. The Global and Local Blend Romance as an aesthetic isn’t just Israeli—it’s global. From Paris to New York, men chase not only company but style. But in Israel, Bananot.Net gives it a local face. Strippers in Israel and companions transform Tel Aviv, Haifa, Jerusalem, Eilat into living galleries of elegance. Identity Over Imitation Machines can fake faces, but they can’t choreograph presence. The pause before she enters the room. The walk that syncs with the city. The way silence becomes intentional. These are human details. Details that define the new aesthetics of relationships. Final Words — Beauty as the Core On 23 September 2025, the message is clear: Romance isn’t about chance. It isn’t measured in hours. It’s defined by aesthetics. From Jerusalem courtyards to Eilat beaches, from Haifa’s harbors to Tel Aviv rooftops, Bananot.Net reframes encounters. It doesn’t sell time. It sells the art of presence. And strippers in Israel prove that beauty is the most powerful language of all. https://bananot.net/

YouTube Shorts отримали нові ШІ-функції: інструмент “зображення-у-відео” для створення 6 секундних роликів з фото. З’явилися нові ШІ-ефекти для трансформації малюнків та селфі. Ці функції працюють на базі Google Veo 2 та позначаються водяними знаками SynthID https://channeltech.space/services/youtube-shorts-now-has-an-ai-image-to-video-tool-and-new-effects/

Best Of House vol.1 [VOGUE VIXENS RECORDS] MP3 https://voguevixensrec.blogspot.com/2025/06/best-of-house-vol1-vogue-vixens-records.html Chico & Qatoshi - Mama Mia (Murchikk & D!scoman Rmx) Jengi, JADED, Alex Mills - Burnin' (Murchikk & D!scoman Rmx) Mikki – Dance Lover (Dr Packer Remix – Murchikk & D!scoman Remix) MK feat. Chrystal - Dior (Lunar Nova, Dj.A-Bor Disco Rmx) Murchikk & D!scoman - Baby's Gang Palavas, Elado - Déesse D'été (Lunar Nova Rmx) Rossi. & Jazzy - High On Me (Murchikk & D!scoman Rmx) Sabrina Carpenter - Manchild (Murchikk & D!scoman Club Rmx) The Cool-Notes, Moplen - You're Never Too Young (Murchikk & D!scoman Rmx) Tinashe, Disco Lines - No Broke Boys (Lunar Nova, Vogue Vixens Disco Pride 2025 Remix) 🎧 Best Of House Vol.1 [VOGUE VIXENS RECORDS] 💿 Album Review Genre: House, Nu Disco, Vocal House Release: 2025 Main Artists: Murchikk & D!scoman, Lunar Nova, Dr Packer, Dj.A-Bor 🔊 Overall Impression: "Best Of House Vol.1" is a dancefloor time capsule packed with warm Nu Disco, vocal house vibes, and retro-inspired energy. The album serves as a manifesto for a new generation of disco-house producers, blending contemporary energy with nostalgic nods to the '80s and '90s. The tracklist is anchored by Murchikk & D!scoman’s dynamic production, making them the core sonic identity of the release. 🎶 Highlights: Chico & Qatoshi - Mama Mia (Murchikk & D!scoman Remix): An energetic opener. This remix blends old-school house elements with infectious vocals that scream summer. Jengi, JADED, Alex Mills - Burnin' (Murchikk & D!scoman Remix): A standout rework full of groove, acid basslines, and Alex Mills’ striking vocals. One of the strongest tracks in the collection. Mikki – Dance Lover (Dr Packer Remix – Murchikk & D!scoman Remix): A perfect cross between classic funky house and modern disco. Dr Packer adds depth, while Murchikk & D!scoman deliver their signature sparkle. MK feat. Chrystal - Dior (Lunar Nova, Dj.A-Bor Disco Remix): A light, almost airy remix with sleek disco flavor. Ideal for sunset sets or open-air parties. Rossi. & Jazzy - High On Me (Murchikk & D!scoman Remix): A smooth and soulful track with Jazzy’s emotive vocals and a groove that lifts you up. Tinashe, Disco Lines - No Broke Boys (Lunar Nova, Vogue Vixens Disco Pride 2025 Remix): A dance anthem for Pride parties. Colorful, glam-pop-inspired house with playful disco energy. 💽 Notable Qualities: The album showcases a wide range of house interpretations — from deep club cuts to chilled disco-infused tracks. Most remixes have a recognizable sonic fingerprint: warm synths, tight rhythms, and melodic vocal work. You’ll hear clear references to Italo Disco (especially in "Baby’s Gang") and ‘90s UK House (in "You're Never Too Young"). ⭐️ Rating: 10/10 "Best Of House Vol.1" is a strong, stylish compilation that bridges retro aesthetics with modern house. It’s a perfect soundtrack for summer raves, beach parties, or uplifting DJ sets. Special credit goes to Murchikk & D!scoman, whose remixes bring consistency and flair throughout the album.

Google запустив публічний інструмент SynthID Detector — він дозволяє визначити, чи було зображення, відео, аудіо або текст створено генеративним ШІ Google, і вказує на марковані ділянки. Сервіс доступний для журналістів і дослідників через реєстрацію. https://channeltech.space/ai/google-launches-synthid-detector/